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A friend in my writing group passed this along to me. A bible of sorts for aspiring writers: The list should also include: And it should include: Instead of a character wanting something, you must now describe the thing so that the reader wants it.
The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again. Only specific sensory detail: In a way, they state the intention of the paragraph.
And what follows, illustrates them. Traffic was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead.
At home, the dogs would need to go out, or there would be a mess to clean up. If nothing else, cut the opening sentence and place it after all the others.
Better yet, transplant it and change it to: Brenda would never make the deadline. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing.
And loving and hating. Present each piece of evidence. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering. You could see all the way down the road, as far as the Mall, and not see a bus.
No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late.
Oh, and you can just forget about using the verbs Forget and Remember. No more transitions such as: Better yet, get your character with another character, fast. Get them together and get the action started.
Let their actions and words show their thoughts. You—stay out of their heads. At its most basic, this is showing your story instead of telling it. Then, find some way to eliminate it.
Kill it by Un-packing it. Then, pick through some published fiction and do the same thing. After that, find a way to re-write them.Rules, advice, tips and tricks.
They are all important to any creative individual.
The guideline. The cardboard box. There to show you what keeps other individuals inspired and motivated and hungry. Also there to let you know that some rules can be bent or broken or ignored. Here you can find 13 Writing Tips .
Jan 01, · Interesting advice. Though, honestly, Chuck Palahniuk could stand to be a better writer himself, and this sounds a great deal like one of those "fad edits" like taking out all adverbs or using only "said" that crop up every now and again but can be thoroughly ignored.
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Thought Verbs by Chuck Palahniuk cultureprn: “ A friend in my writing group passed this along to me.
A bible of sorts for aspiring writers: In six seconds, you’ll hate me. But in six months, you’ll be. The best writing advice I've ever seen (from Chuck Palahniuck, author of Fight Club) (plombier-nemours.comg) I was expecting the best writing advice, not the same writing advice we've all gotten for years and years and years.
His problem is that he rarely deviates from his distinctive "Chuck Palahniuk narrative voice" (you know what I mean, the. In a Lit Reactor blog post several years ago, the author Chuck Palahniuk wrote about eliminating thought verbs from your writing.
I know, it sounds crazy. I know, it sounds crazy. But as soon as I started to consider what he was saying, I knew it would be an interesting challenge and would probably help improve my writing.