An analysis of the romanticist elements of frankenstein by mary shelley and jane eyre by charlotte b

Philipp Otto RungeThe Morning, Romanticism also known as the Romantic era was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from to Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical.

While their position as guardians of both private and public morality and their role in tending to domestic well-being provided women with a degree of respect and authority, they ultimately held a subordinate position in society and were able to impact little beyond their own lives even under the best of circumstances.

The mindset and ideals of this ideology are perhaps best represented by Elizabeth, who is thus described in the edition: Her smile, her soft voice, the sweet glance of her celestial eyes, were ever there to bless and animate us.

Her position in the Frankenstein household is a critical one: Notably, while Victor and Elizabeth are in love with each other, only Victor is given the opportunity to escape the marriage, which indicates that their equality as subordinated children has ended with Elizabeth remaining in the more childlike position see Shelley In stark contrast to Elizabeth, Jane was never a beautiful child, and abused by her cousins and widowed aunt, Mrs.

Jane too is at the mercy of her surrogate family, but unlike Elizabeth she is physically and mentally abused. An orphan, she was taken in by an uncle who died whilst she was still an infant who charged Mrs.

Rochester, is married, touching off the chain of events which prevents Mr. While it can be inferred that these women are both confined to subordinated roles within domestic spheres, the question remains as to what in their characters makes them appropriate subjects for such treatment.

Once again, Elizabeth serves well as an archetype.

An analysis of the romanticist elements of frankenstein by mary shelley and jane eyre by charlotte b

This protection would seemingly stem most naturally from Victor as her betrothed, and while he certainly aspires to fill the position honorably he utterly fails in his duties as the wrath of the Creation which he has abandoned slowly tears their lives apart.

Kept sheltered from knowledge of the Creature, Elizabeth is rendered unsuspecting prey when he murders her on her wedding night.

While arguably portrayed as possessing greater mental acuity than Elizabeth, and also weakened by her lower social status, Jane is still seen by other characters, at least, as somewhat fanciful and certainly overly emotional.

Rochester resort to the standard trope of the easily alarmed woman but he also expects her trusting acceptance of his explanations.

When she later resists St. Politically and economically disempowered as they are by their perceived womanly weakness and need for protection, Elizabeth and Jane are not entirely without avenues through which to exert power.

As upholders of moral values and assuming a role of spiritual guide, women could assert a degree of influence over men, who were perceived as unruly and overly prone to passions in contrast to the supposedly calmer nature of women.

Here, Jane becomes the sterling example. Yet she does choose a path of moral discipline on which she remains for the course of the book, best demonstrated by her refusal to become Mr. Rochester, with Jane hearing him call her from miles distant at the very moment she is verging on acquiescing to St.

The most concrete reference to her having any effectual power is in making appeals on behalf of servants, which demonstrates her power to petition but indicates no particular authority see Shelley, In short, while Elizabeth and Jane have some degree of respect associated with their status as guardians of virtue, they lack a political voice and are restrained to strictly defined, domestic spheres of influence.

Yet both Jane and perhaps even Elizabeth are independent in one particular, for as Jane says of Mr. While controlling little else, Elizabeth, Jane, and other 19th century women at least maintained power over their thoughts.

Norton and Company, Mary Shelley’s Frankenstein () and Charlotte Brontë’s Jane Eyre () are both to some extent studies of their respective social orders, and as works authored by women provide interesting insights and perhaps even critiques into perceptions and treatment of women of the time.

Romanticism in Mary Shelley's Frankenstein Essay Words 9 Pages Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and .

It looks like you've lost connection to our server. Please check your internet connection or reload this page. William BLAKE by Thomas Phillips. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.

An analysis of the romanticist elements of frankenstein by mary shelley and jane eyre by charlotte b

Explore Kait Hamer's board "Lit & writing" on Pinterest. | See more ideas about Reading, Books to Read and Literatura. Discover recipes, home ideas, style inspiration and other ideas to try. Nov 18,  · Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems.

Young, "The Monster Within"